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MAKE TV OFFEND AGAIN: PC Madness Has Destroyed Working Class Drama

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TRADITIONAL Media is losing control in the information war because of an obsession with political correctness, in turn forcing the masses to turn off. 

The likes of the BBC, ITV and Channel 4 no longer produce programming for the everyday man or reflect life in Britain, instead, they virtue signal, telling us how ‘wrong’ our views are and pander to elites with highbrow content.

From news, drama and soap operas the big broadcasters have lost the millions of viewers that once flocked to them, ‘changing audience attitudes’ are blamed, but the likes of Netflix can still pull in the millions, often beating traditional media and people are getting there news from alternative sources, but where did it go wrong?

Let’s go back to the 1950s for a moment and the birth of mass-market commercial television – a time when the BBC ruled the airwaves – it was only after the ITV network launched in 1955 that regional franchise Granada appealed to the working-classes the station served.

The commercial broadcasters tried highbrow content – but no one was interested, it was only after Coronation Street launched in December 1960, that working-class life was really shown on telly.

Granada TV

The brainchild of Tony Warren – a homosexual Northerner who wrote about what he knew – life in Salford, that ‘kitchen sink’ and true-to-life drama was proven to have mass-market appeal, it did not hold back on the issues facing everyday people.

The general manager of Granada TV claimed he “couldn’t find a single redeeming quality”… it was watched by 3.5 million homes by 7.7 million viewers.

A show that was sneered at by the chattering classes was only ever supposed to run for 13 episodes, but it was so successful that it has ran for more than 50 years.

In 1982, ‘high-brow’ Channel 4 launched TV soap Brookside, the brainchild of Liverpudlian Phil Redmond.

Seen as a true to life reflection on Thatcher’s Britain in Working-Class Nothern England, dealing with gritty storylines and offence, the show was a hit.

The Independent described Redmond’s “bleak vision that sustained the show.” The show tackled unemployment, working-class misery, life on the dole, crime, homosexuality, aids, drug addiction and religious fanaticism.

Redmond even took sleepy Yorkshire TV soap ‘Emmerdale‘ and made it prime-time viewing. In 1993 he helped to produce the famous ‘plane crash’ to air on the fifth anniversary of the Lockerbie bombing, to showcase the effects on a rural community, the episodes drew shock and outrage, but it was a hit and made Emmerdale a staple of TV.

BBC Comedy also refused to shy away from reality, with casual racism and offensive jokes in shows like Only Fools and Horses gaining millions of viewers, because it was real, that’s gone from TV now, even The Guardian said: “In many ways, it’s the kind of portrayal of working-class life that is increasingly rare on British TV”

BBC

Leftists on Twitter ran into their safe spaces and branded Only Fools and Horses ‘Offensive’ and ‘Racist’ when the classic comedy hit Netflix in 2018.

Only Fools represented Britain as it was back then – it’s a classic working-class comedy-drama that is cherished in the hearts of Brits, the iconic show was also part of many of our childhoods, especially at Christmas when it would regularly pull in 20 million.

In one classic episode ‘Many Happy Returns’ Del Boy gives a young white boy 50 pence and tells him to go get an Icecream from the ‘Pakis’ on the corner – a term used by millions of working-class Brits throughout the 70s, 80, 90s and early 2000s.

The first ever episode

The young lad then asks for another 50p for his black friend who he calls his ‘brother’ Only Fools writer John Sullivan may have used a racist term, but he then showed that a young white lad saw a black kid as his ‘brother’ and didn’t see a problem with that.

Many gritty shows about working-class London had offensive terms, even EastEnders included racial slurs when it launched to immediate success on BBC1 in 1985.

The BBC wanted in on the success of Brookside and launched EastEnders, the brainchild of Julia Smith and Tony Holland, it was a gritty drama that didn’t beat around the bush when it came to working-class reality.

Smith claimed in a book that the development for EastEnders looked at ‘East End spirit’ and found an inward-looking quality, a distrust of strangers and authority figures, a sense of territory and community that the creators summed up as “Hurt one of us and you hurt us all” – something that’s in the fabric of Britain today with the rejection of mass-immigration and the European Union and the outrage over Pakistani Grooming Gangs.

The creators used Corrie as an example, but found that the now 20-year-old ITV soap “offered a rather outdated and nostalgic view of working-class life.”

Viewers were shocked by the language, swearing and racist comments, even Mary Whitehouse complained to then BBC1 controler Micheal Grade.

Despite this, EastEnders carried on, it was REAL, and Brits flocked to the show, by 1986 EastEnders pulled in a record-breaking 30m viewers.

Brookside and EastEnders dealt with multi-racial relationships, rape, racism, gay relationships in an unwavering way, and did not shy away from it due to ‘Political Correctness.’ they even forced sleepy Corrie to change its image in the late 80s to go back to its roots, today, it’s a very different story.

John Altman, best known as Nick Cotton even said the BBC soap is too politically correct these days. He told the story of an incident whilst filming the show in the mid-2010s, when Nick had used the ‘Paki’ slur to describe Arthur ‘Fatboy’ Chubb.

He said: “The other occasion was when Nick had a line about Fatboy saying, ‘At least that P**i has gone’ and then Dot told him off. Nick Cotton is a racist psychopath. They stopped filming and changed it to: ‘At least that illegal immigrant has gone.’ It’s not what Nick Cotton would say.”

Those groundbreaking storylines, dramas and soaps helped to change attitudes, and add a human connection, Today the MSM deals with Racism, Islamophobia and Immigration by refusing to let anyone discuss it, and how will that help change attitudes? it will just drive those things underground giving alternative voices the power.

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